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Shirley Purdie |
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Winner of 2007 Blake Prize for Religious Art Shirley is undoubtedly one of the hardest working, most professional contemporary ochre artists and certainly one of the most talented. Born on Mabel Downs Station, she grew up there whilst her mother Madigan Thomas was working alongside the stockmen. Like her mother, Shirley is a great organiser, strong lady and well respected Law and Culture Woman amongst her Kitja people. She has recently relocated from Warmun Community and now resides at Norton Bore Community, of which she and her husband Gordon Barney (a senior painter in his own right and former stockman - see picture below) are Chairpersons. Shirley worked when old enough at Mabel Downs, Texas Downs and Alice Downs in the station homesteads (as she says, No, I didnt ride horses like Mum!). She then settled at Warmun and worked at the Post Office for many years. She has six children and many grandchildren, Shirley looks after not only her grandchildren but relatives little ones and is fastidious about the proper rearing of children and the teaching of youngsters both in traditional culture and modern schooling. When Shirley shops for her family, she practically cleans out the supermarket shelves! It is amazing that she could possibly find time to paint, but she certainly does. Shirley has a style all of her own, her ability to blend superb ochre colours is renowned, particularly the pale blues she uses, and doesnt mind sharing her techniques with not only the younger artists but also established artists, she is a very generous lady. The stories of her paintings in the main derive from those Madigan has told her, and her uncle, the late Jack Britten. Shirley has participated in many exhibitions since 1994 in every capital city in Australia, as well as in London and Germany. Her artworks are valued and included in high profile collections such as the Kerry Stokes Collection and Universities throughout the Country. AWARDS 2007 - Winner, Blake Prize for Religious Art 1999 - Special Mention, East Kimberley Art Award SELECTED EXHIBITIONS 1994 - Artists of the East Kimberley Exhibition, Canberra - Maintaining Family Tradition, Adelaide Festival Centre, Adelaide - National Aboriginal Art Award, Australian Heritage Commission, Old Parliament House, Canberra 1995 - Savode Gallery, Brisbane 1998 - Span Gallery, Melbourne 1999 - Gallery Gabrielle Pizzi, Melbourne - Chamber of Commerce, Wuerzburg, Germany - Karen Brown Gallery, Darwin - East Kimberley Art Awards, Kununurra - Japingka Gallery, Fremantle, Perth - Hogarth Galleries, Paddington, Sydney - Art of the Aborigines, Gallery Baehr, Germany 2000 - Anthropological Museum, Freiburg, Germany - Gallery Australis, Adelaide - Ben Grady Gallery, Canberra - Bett Gallery Hobart, Tasmania - Commonwealth Institute, London, U.K. - The Art of Place, National Indigenous Heritage Art Award, Canberra - State of My Country, Hogarth Galleries, Paddington, Sydney - Michael Carr Gallery, Sydney - Hogarth Galleries, Paddington 2001 - Past Modern, Short Street, Gallery, Australia Square, Sydney - Four Warmun Ngarliwarrin (Women), Artplace, Perth 2002 - Aboriginal Art, Gallery Baehr, Speyer, Germany - Shirley Purdie and Gordon Barney, Framed Gallery, Darwin - Garmerrun: All Our Country, Flinders University Art Museum, Adelaide 2003 - University Art Museum, Adelaide - 20th National ATSIC Art Award, Darwin - Recent Works in Ochre by Warmun, Framed Gallery, Darwin - The World Luxury Cruise Ship, Australasis (with Thornquest Gallery, Southport) 2005 - New Work from Warmun, Gadfly Gallery, Perth - 20th Telstra (NATSIAA) Art Award, Darwin 2006 - Warmun Art Centre Presents, Mary Place Gallery, Sydney - What Bird Is That?, Alcaston Gallery, Melbourne 2007 - Ralph Pucci International Gallery, New York (in association with Cross Cultural Art Exchange, Darwin) - Back To The Board, Coo-ee Gallery, Sydney COLLECTIONS - Artbank, Sydney - Commonwealth Institute Collection, London - Edith Cowan University Art Collection, Perth - Harvey Wagner Collection, USA - Kerry Stokes Collection, Perth - Northern Territory University, Darwin |
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For further information about the code please visit: www.indigenousartcode.org
One of the unique skills Artists from the Kimberely region possess is the ability to mix the natural ochre pigments to create truly spectacular colours, shadings and effects that give ochre artworks a uniqueness unseen in any other style of art anywhere in the world.