Freda Wilson (Dcsd.)


Aboriginal ArtistFreda Wison

(Dcsd. July 2004)

The following is transcript of recorded interview with Freda Wilson on 10th February 2002.  The Gallery has very few of Freda’s works left – however, she was a clever artist, wonderful lady and we feel her story is important.

P:  “Hi, Freda – how are you?”
Freda: “Good”

P:  Good – O.K. – what’s new?  What you been doing?
F:  oh, nothing.

P.  Well, we’d better find out a bit about you for your story.  Where were you born, love? 
F.  Ivanhoe.

P.  Ivanhoe Station? Yes – and did you stay there for very long?
F.  Yes – I grew up there.

P.  Did you work there? 
F.  Yeah.   

P.  What doing? 
F.  Working – housework – in the kitchen cookin’.

P.  Who was Boss there? 
F.  When I was a little one it was Norman Bridge and his wife Thelma – then they changed bosses when that house got burnt.

P.  Right – were you there when the house got burnt?
F.  Yeah – I was little kid.

P.  And was it totally burnt – nothing left?
F.  Yes  P. Freda, how did it happen?

F.  Something went wrong in the house. P.  But you were living outside the house.
F. Yep – camping in Humpy.  P. So no-one was hurt?  F.  No – no-one hurt.  

P. Then they rebuilt that station didn’t they?
F. Yes – built new station. 

P.  Different place?
F. Yes – la river now – near the river.
 
P.  And where did you go after Ivanhoe?
F.  We stayed till we were big  big people – worked on new station.

P. And you liked working there – they were good to you?
F. Yeah – Yeah. 

P.  And when did you leave Ivanhoe?
F.  When Kununurra started – but went to Wyndham first.

P.  Were you married then? 
F. Noooo 

P.  You still young girl? 
F.  Yeah – couple of kids but not husband!

P.  How many kids you got? 
F.  Six.  They’re all big now. There’s Ethel (eldest), and Gina, JuJu, Annie, Peter and one other boy. 

P. And your Mum painted? 
F.  She used to.  Long ago. A hundred years ago!

P. So your Mum, Sheba her name is (F., yes), and you paint, and JuJu Paints, and Annie paints, and JuJu’s little girl paints. F. Yes.  P.  So that’s FOUR generations of painters.
F. Yes, that’s right. 

P. All still painting now except Sheba. 
F. Yes, she can’t see now (note – Sheba is over 90 years).

P. Did you teach the kids to paint, or did they just learn?
F.  They just learnt from watching me doing it.
 
P.  Freda, you Boss for Emu Creek now?  F.  Yes.  P.  And you like it out there?  F. Yes, Yes – I been there for ten years.

P.  What were you doing when you were up in Wyndham – just sitting down? 
F.  I used to work at Six Mile Hotel.

P. Oh, that’s right – for Sam and Maggie Lilly after they sold Bow River. 
F.  And for Geoff the next one. 

P.  And what were you doing at the Hotel? 
F.  Cleaning up in the kitchen (note – Freda now smiling – obviously fond memories).

P.  And you like painting? 
F.  Yes, I do.  

P.  And you need painting to get you enough money. 
F.  Yes, and to make me forget about everything.

P.  And you paint stories - 
F. Yes - 

P. And your Turtles – I like those one Turtles.  Freda laughs.  
 
P.  And you paint all different styles.  
F.  Yes, but all the same. (note – Freda means all the same stories but in different styles.)

P.  And you paint in the ochre? 
F.  Yes – ochre - the rock.

P.  And sometimes you use kartiya glue, and sometimes you use tree resin –
F.  yes, gum – boil him up. 

P.  Then you mix him up and paint with brush. 
F.  Yes.

P.  But you can draw, too.  F.  Yup  

P.  I can see that in your paintings – and this is what makes a really good painter – like Jack Britten can draw, and young Susan Widaldjil can draw and that makes the difference – Freda nods in agreement. 

P.  And JuJu can draw  - hey, I’ve got some proper good didgeridoos from Juju  -  Freda laughs

P.  Did you used to make them? 
F.  Yes, hard now tho – too much rain. 

P.  Do you have to get certain sort of wood? 
F.  Yes – cabbage gum because when you cut em they already hollow.

P.  In old times, did the women make most of the didgeridoos?
F.  Yeah, but men make them too. 

P.  Right – men make spears, women make coolamons.  Freda, did you go through law and collect bush tucker in coolamons and all that? 
F.  Yeah, that’s all we were livin’ on. 

P.  That’s what you were livin on when you were little girl. 
F. Yeah – no tea, sugar, nothing.

P.  Till the station people gave you those. 
F.  Till Durack bin come. 

P.  So he gave you flour, tea, tobacco.   
F.  Yeah – when people bin quieten down.  

P.  And did you get along well with the bosses on the stations – were they O.K. 
F.  Yeah – yeah. 

P.  And you were well looked after.  Freda nods.

P.  The stockmen and their families were well looked after.  F. Yeah!  P.  How often did you used to get rations – twice a week? 
F.  Saturday.  We worked Monday, Tuesday, Wednesday, Thursday, Friday, then sitdown Saturday sometimes Sunday then work again.

P.  On talking with Maggie Lilly about the times at Bow River, she tells me at Christmas time they used to put on big party for their people. 
F.  Used to tie their legs and run. 

P.  Oh, the three legged race.  Freda now laughing.  And they put their legs in bag and run.  P.  Yep – the sack race that’s called. (Freda then described the Egg and Spoon race and other Australian games.) 

P.  And they put on a big feed for you. 
F.  Yep – Christmas cake with five cent – sixpences – in it.  Two big Christmas cakes and they used to kill a big fat sheep and a nanny goat.  

P.  Then after Wyndham you came to Kununurra.
F.  Yes, after about four years. 

P. Some people went from Wyndham to Turkey Creek but they were mainly Kitja people, weren’t they.  You Mirrawong?  Freda nods - yep.  P.  So the Kitja Peple went to Turkey Creek and the Mirrawong people to Kununurra?
F – But they don’t know where to go now!  They just go everywhere.  Families used to go on holidays – walk from Ivanhoe to Newry.

P. That’s a long way.
F.   Yeah – walk and camp till we get there.  
P.  Holiday time was Wet Season?  

Freda Wilson - The story Continued..............

 

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One of the unique skills Artists from the Kimberely region possess is the ability to mix the natural ochre pigments to create truly spectacular colours, shadings and effects that give ochre artworks a uniqueness unseen in any other style of art anywhere in the world.

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